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“Photographs of the suffering and martyrdom of a people are more than reminders of death, of failure, of victimization. They invoke the miracle of survival. To aim at the perpetuation of memories means, inevitably, that one has undertaken the task of continually renewing, of creating, memories – aided by the impress of iconic photographs. People want to be able to visit their memories. Now many victim peoples want a memory museum, a temple that houses a comprehensive, chronologically organized, illustrated narrative of their sufferings…

“But why is there not already, in the nation’s capital, a Museum of the History of Slavery? This is a memory judged too dangerous to social stability ot activate and to create. The Holocaust Memorial Museum and the future Armenian Genocide Museum and Memorial are about what didn’t happen in America, so the meory-work doesn’t risk arousing an embittered domestic population against authority. To have a museum chronicling the great crime that was African slavery would be to acknowledge that the evil was here. Americans prefer to picture the evil that was there, and from which the United States is exempt. That this country, like every other country, has a tragic past does not sit well with the founding, and still all-powerful, belief in American exceptionalism. The national consensus on American history as a history of progress is a new setting for distressing photographs – one that focuses our attention on wrongs, both here and elsewhere, for which America sees itself as the solution or cure.


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