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“The great impulse of the courtroom seemed to be to put these people where they could not be seen – and not because they were offended at the crimes, unless, indeed, they were offended that the crimes were so petty, but because they did not wish to know that their society could be counted on to produce, probably in greater and greater numbers, a whole body of people for whom crim ewas the only possible career. Any society inevitably produces its criminals, but a society at once rigid and unstable can do nothing whatever to alleviate the poverty of its lowest members, cannot present to eh hypothetical young man at the crucial moment that so-well-advertised right path.

“…as had been predicted, the case against us was dismissed. The story… finally told, caused great merriment in the courtroom. …I was chilled by their merriment, even though it was meant to warm me. It could only remind me of the alughter I had often heard at home. This laughter is the laughter of those who consider themselves to be at a safe remove from all the wretched, for whom the pain of the living is not real. I had heard it so often in my native land that I had resolved to find a place where I would never it any more. In som edeep black, stony, and liberating way, my life, in my own eyes, began during that first year in Paris, when it was borne in on me that this laughter is universal and never can be stilled.”

– James Baldwin, Notes of a Native Son

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